Entertainment

"Sleepless in Seattle" producer Lynda Obst explains why studios can't stop making sequels.

The summer concert tour season is under way. How important financially are these tours for bands?

Television executives pitch advertisers on their new lineups this week in elaborate presentations called upfronts. But can the networks still compete with cable?

In her new book, Jennifer Keishin Armstrong takes a look at Mary Richards and the rest of the gang from the WJM newsroom and the real-life people behind the "Mary Tyler Moore Show."

Disney is releasing two distinct versions of "Iron Man 3" this week: The international version and the Chinese version. How is Hollywood tailoring movies for the growing Chinese audience?

The latest Tom Cruise sci-fi thriller, "Oblivion," hits theaters this week. Will American audiences be in the mood to see it?

The MPAA responds to calls for better policing of violence in movies, by increasing the TYPE SIZE on existing explanations. Why? To protect its business at the PG-13 level.

"Dancing with the Stars" meets the diving board. The new reality show "Splash" tries to grab viewers with a lineup of C-list celebrities. We look at the show, but also at the reality TV equation: There’s not a whole lot to lose on these shows. They’re cheap to produce and if they hit, they can be worth a fortune.

From Haight-Ashbury to hip-hop, the legendary record producer looks back on 50 years of music.

Participant Media made its name with thought-provoking films like "An Inconvenient Truth," "Fast Food Nation" and "Waiting for Superman." This weekend, the company is part of the team nominated for an Oscar for "Lincoln." Has the firm changed its vision over the years?